A New Gradient with Nader Gammas
As Gradient prepares for its participation in NOMAD Abu Dhabi, founder Nader Gammas reflects on the gallery's early reception, the importance of supporting regional talent and his ambition to bring collectible design into a wider cultural conversation.

For Nader Gammas, Gradient represents more than a space to showcase his own designs. Situated in Dubai's Alserkal Avenue, the gallery brings together contemporary lighting, vintage discoveries and collectible objects, creating a dialogue between different periods, materials and creative perspectives.
Since its opening, Gradient has begun attracting an audience interested in design beyond its conventional function, with an appreciation for objects that inhabit the space between furniture, sculpture and art.
Now, as the gallery prepares to participate in NOMAD Abu Dhabi, Gammas is looking towards its next chapter. With new commissions, a growing selection of vintage pieces and ambitions to introduce more regional designers to international collectors, he sees an opportunity to contribute to the development of a more established collectible design culture in the Middle East.

THE AMPHORA GUIDE: Since Gradient opened at Alserkal Avenue, what has surprised you most about the response from visitors and collectors?
NADER GAMMAS: We've seen a lot of interest and appreciation that a place like Gradient exists. It almost feels like a relief. Mr Johns Goods lamps are doing very well, and people are warming up to the vintage pieces. We'll also be introducing more art and sculpture into the space.
TAG: What does participating in NOMAD Abu Dhabi represent for Gradient at this stage?
NG: This is a defining moment for the gallery, an opportunity to prove itself as a gallery of international standing. It's also a maturing moment for me in my design career.
TAG: What can visitors expect to discover from Gradient at NOMAD?
NG: We'll be presenting a number of new pieces of my own, alongside vintage pieces and a new coffee table by Ammar Kalo.
TAG: What conversations are you hoping to encourage around collectible design in the region?
NG: I hope to open the floodgates of collectible design in the region. It's about time designed objects were regarded on a par with art.
TAG: As Gradient grows, how do you envision the gallery's relationship with other designers and makers evolving?
NG: I'm excited to bring in both new and established designers and showcase the region's capabilities. After commissioning Ammar Kalo's coffee table, I hope to see an influx of talent that we can introduce to the gallery and sell internationally.
TAG: Beyond NOMAD, what else can visitors look forward to at Gradient?
NG: We'll be bringing new pieces into the showroom to coincide with the events taking place in November.
TAG: Looking further ahead, what would you ultimately like Gradient to become known for?
NG: Gradient will be a beacon for collectible design in the region and influence the design scene around the world.






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